Skip to content


août 31, 2016

Chères Amies, chers Amis qui lisez mon blog et peut-être mes livres…phpThumb_generated_thumbnailjpg oui demain, vernissage dans ma galerie Analix Forever, mon menu repaire 2 rue de Hesse, de la première exposition personnelle de l’artiste australien Shaun GLADWELL en Suisse (vous vous souvenez peut-être de sa vidéo avec les kangourous, montrée en 2010 dans ma galerie d’alors, rue de l’Arquebuse)

Je serais ravie de vous accueillir tous au vernissage, ce d’autant plus que Shaun Gladwell m’a donné ses images pour la couverture de mon dernier livre, 25 os + l’astragale, publié chez Art & Fiction.

Analix Forever is proud to present the first solo exhibition in Switzerland of Australian-born, UK-based artist Shaun Gladwell.

For Shaun Gladwell, movement comes first. From skate to bike and surf to plane, Gladwell experiments every gesture. Movement, driven to its extreme, becomes a perfect moment of stupefaction. And to further magnify movement, Gladwell slows it down, in a neo-romantic approach to mastering time.

The works presented at Analix Forever include video and photography, drawings and objects.
The major recent video work by Shaun Gladwell, entitled Skateboarders vs Minimalism (2016, commissioned by Catriona & Simon Mordant), will be shown as video street art. In this video, the high-flying skaters Rodney Mullen, Hillary Thompson and Jesus Esteban slide and jump in the Torrance Museum in Los Angeles, confronting themselves to sculptures by Donald Judd, Carl Andre or Tony Smith, the immobile presence of which competes for attention with the twirling figures of the skaters. Photographs and objects are shown along with Skateboarders vs Minimalism: John Baldessari’s edition skates, modified and signed by Shaun Gladwell, become unique pieces.

Shaun Gladwell is currently studying for his pilot’s license: another way to master gravity. In the video I also live at one infinite loop (2011), Gladwell films himself strapped in the cockpit of a military jet fighter (L39 Albatros) over Australia’s Hunter Valley, helmet in place and camera in his hands, struggling to hold it steady. Like a bird

In 2013, Shaun Gladwell was commissioned by the Rotterdam Opera House
 to create the scenery for a single performance 
of Wagner’s Flying Dutchman. This production owes to Bill Viola’s vision, particularly in the omnipresence of water – but is also filled with Gladwell’s own obsessions and romanticism, from water to fire, from stilts to wings, from birds to helmet.

Indeed, the helmet is prominent in Gladwell’s world: an instrument of concealment, an exoskeleton that masks man’s fragility, seeking to bind body and mind together and to protect life. The helmet/exoskeleton becomes a “generic head”, a style, an exercise of dissimulation and assimilation to a group, and a symbol for identity, departure and solitude.

In “The Devil has no Helmet”, the helmet in one hell of a state.

Capture d’écran 2016-08-31 à 10.17.10


© Shaun Gladwell


No comments yet

Laisser un commentaire

Entrez vos coordonnées ci-dessous ou cliquez sur une icône pour vous connecter:


Vous commentez à l'aide de votre compte Déconnexion /  Changer )

Photo Google+

Vous commentez à l'aide de votre compte Google+. Déconnexion /  Changer )

Image Twitter

Vous commentez à l'aide de votre compte Twitter. Déconnexion /  Changer )

Photo Facebook

Vous commentez à l'aide de votre compte Facebook. Déconnexion /  Changer )


Connexion à %s